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Taxi

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When Ferry was asked about the album, he said "Since I started work on the Taxi album, everything has gone great for me. com and send your item to: Last Night From Glasgow Limited , Glasgow Street, 23, Glasgow, G128JW, United Kingdom. Recue Me' is cool, and I find his almost robotic take on the hymnal 'Amazing Grace' utterly mesmerising.

As ‘Taxi’ nears its 30th anniversary in March 2023 we are reminded of Bryan Ferry’s long tradition of reimagining songs from across the history of music, free from the bounds of genre and time. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.Then contact your credit card company, it may take some time before your refund is officially posted.

A patron funded not for profit record label, we are an ethics first business who believe in gender equality and fair pay for all. Reviewing for AllMusic, critic Ned Raggett wrote of the album: " Taxi shows a mature Bryan Ferry, suave and controlled, very much in line with his general career from 1979 on . The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products.It was first released in Japan on 10 March, before being released in the UK on 22 March and then in the US in April. He also revisits one of his biggest influence - The Velvet Underground - with a version of 'All Tomorrow's Parties', from their first album.

Taxi’ was produced by Bryan Ferry and British guitarist, Robin Trower, and features a cast of formidable supporting musicians including Nathan East, Steve Ferrone and the singer Carleen Anderson.

Bryan Ferry’s eighth solo studio album Taxi is being repressed and made available for the first time on limited edition yellow vinyl. Taxi is the eighth solo studio album by English singer Bryan Ferry, released in March 1993 by Virgin Records, over five years after the late 1987 release of his previous album Bête Noire.

On 'Taxi', Ferry features songs largely from the pre-Beatles era of pop - a great, deeplly melancholic take on Elvis Presley's 'Girl of My Best Friend', a lovelorn 'Will You Love Me Tomorrow', and a spooky take on Screamin' Jay Hawkins' 'I Put A Spell On You'. The ‘Taxi’ album features his refined, inspired interpretations of Screamin’ Jay Hawkins’ ‘I Put A Spell On You’, Goffin and King’s ‘Will You Love Me Tomorrow’ and Lou Reed’s ‘All Tomorrow’s Parties’. The first 3 cuts are killer and there's only one let up, for me, on the entire CD and that's the title song-which is still excellent but in comparison to the other tracks, it's the my least favorite.Originally released in 1993, the album sees Ferry continue in his rich vein of sophisticated and contemporary cover versions of classic rock, pop and soul songs, forging his reputation as the greatest living interpreter of the popular song. Finishing something I liked and getting back into singing again, getting away from my own writing temporarily was a good thing. But that's okay, since Ferry appears to be aiming for something else: beautifully eerie mood music for the lovesick vampire in us all. Bryan Ferry is an artist who, by his own admission, suffers frequent crises of confidence in his own music, and has junked whole albums that he feels do not meet his exacting standards. Reviewing for Entertainment Weekly, critic David Browne wrote of the album: "Few of the remakes have the decadent, jaunty verve of his covers albums of the '70s.

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